we’ve received lots of interest installation detail
[airbrushed occasion table, chair rail, painted ‘mould’] & obstruction ii (i’m going to find the toilets), oil on canvas 2023
What could be more luxurious than a beater Kelly?
oil on canvas
96x68cm
2024
What could be more luxurious than a beater Kelly?
[detail] oil on canvas 96x68cm 2024What could be more luxurious than a beater Kelly? [detail] oil on canvas 96x68cm 2024What could be more luxurious than a beater Kelly? [detail] oil on canvas 96x68cm 2024What could be more luxurious than a beater Kelly? [detail] oil on canvas 96x68cm 2024
What could be more luxurious than a beater Kelly? oil on canvas 96x68cm 2024
Photo series of studies and works made in 2022 investigating acts of display.
clay pipes from the river Thames clay pipes from the river Thames {alleged; sourced from ebay} 2022
[aesthetization, beautification, encapsulation, isolation, narrative repositioning]
clay pipes from the river Thames {alleged; sourced from ebay} 2022
[aesthetization, encapsulation, isolation, hyperfixation, narrative repositioning, nonhuman depth of field]antiquities catalogue
burnt wood plank alleged from 2007 Cutty Sark fire 2022
[comparison, decontextualization, isolation, narrative repositioning, nonhuman depth of field]antiquities catalogue burnt wood planks alleged from 2007 Cutty Sark fire 2022
[comparison, decontextualization, isolation, narrative repositioning, nonhuman depth of field]{alleged} WW2 bullet casing from River Thames
2022
[isolation, narrative repositioning, hyperfixation]
found stucco from Deptford, London
2022
[theatricality, dramatization, isolation, selective depth of field]
glazed brick from pub casted in plaster
2022
[comparison, decontextualization, dissection, essence stripping, examination, replication]
glazed brick from pub casted in plaster 2022
it doesn’t have muc curb appeal, but wait ‘til you see the inside installation ft. rorschach pebbledash, printed polyester fabric let’s make this as cute as possible (self-portrait), inkjet print on archival paper, framed
complaint fulfilled, inkjet print on archival paper, framed
2023
it doesn’t have muc curb appeal, but wait ‘til you see the inside installation [detail] 2023it doesn’t have muc curb appeal, but wait ‘til you see the inside installation [detail] 2023
it doesn’t have muc curb appeal, but wait ‘til you see the inside installation [detail] ft.
rorschach pebbledash, printed polyester fabric
let’s make this as cute as possible (self-portrait), inkjet print on archival paper, framed 2023it doesn’t have muc curb appeal, but wait ‘til you see the inside installation [detail] ft. rorschach pebbledash, printed polyester fabric 2023
it doesn’t have muc curb appeal, but wait ‘til you see the inside installation [detail] 2023we’ve received lots of interest installation [airbrushed occasion table, chair rail, painted ‘mould’] ft. obstruction ii (i’m going to find the toilets), oil on canvas
complaint received, inkjet print on archival paper, framed 2023we’ve received lots of interest installation detail 2023we’ve received lots of interest installation detail [chair rail, painted “mould”, bucket containing black ink diluted in water, sponge] 2023we’ve received lots of interest installation detail ft.
Imitation game (after Bosch Greenstar 4000 boiler), oil on canvas 2023we’ve received lots of interest installation detail 2023we’ve received lots of interest installation detail 2023we’ve received lots of interest installation detail 2023we’ve received lots of interest installation detail 20we’ve received lots of interest installation detail 2023
b. 1991, Ottawa, CA
EDUCATION
Masters of Fine Art Goldsmiths, University of London (UK) 2021-23
Bachelors of Fine Art, minor in Communications University of Ottawa (CA) 2011-15
Fine Art Diploma Ottawa School of Art (CA) 2009-10
Gabriela Avila Yiptong is an interdisciplinary artist, researcher and policymaker based in Anishinabe Algonquin territory [Ottawa, Canada]. Her career bridges artistic practice, collective organizing, and cultural sector leadership.